[Minstrelsy Book] ↠ Love and Theft: Blackface Minstrelsy and the American Working Class (Race and American Culture) PDF by Eric Lott Þ eBook or Kindle ePUB free

All rights reserved.. From Kirkus Reviews To this original and erudite study, Lott (American Studies/University of Virginia) brings a mass of obscure information and a multidisciplinary approach, interpreting the meaning of black-face minstrelsy to the white working classes who invented and performed it. Their parodies reflected

• Title : Love and Theft: Blackface Minstrelsy and the American Working Class (Race and American Culture)
• Author : Eric Lott
• Rating : 4.58 (140 Vote)
• Publish : 2015-7-7
• Format : Hardcover
• Pages : 328 Pages
• Asin : 0195078322
• Language : English

All rights reserved.. From Kirkus Reviews To this original and erudite study, Lott (American Studies/University of Virginia) brings a mass of obscure information and a multidisciplinary approach, interpreting the meaning of black-face minstrelsy to the white working classes who invented and performed it. Their parodies reflected their admiration and contempt, their envy and fear, their remoteness and--as the economy changed--their impending identification with the dispossessed, whom they represented as absurd. The appropriation of black music, dance, humor, and narratives for commercial entertainment, says Lott, expressed the deep racial conflicts suffered by the white working classes, especially in the North in the decades before the Civil War. In their imitation of blacks, and in the cross-dressing that minstrelsy required, whites males gained control over the alien and the threatening (especially black sexuality) and changed the way they experienced themselves as men. A clever, disciplined, and resourceful reading of the commonplace: a pioneering study that, though some

Reading minstrel music, lyrics, jokes, burlesque skits, and illustrations in tandem with working-class racial ideologies and the sex/gender system, Love and Theft argues that blackface minstrelsy both embodied and disrupted the racial tendencies of its largely white, male, working-class audiences. Underwritten by envy as well as repulsion, sympathetic identification as well as fear--a dialectic of "love and theft"--the minstrel show continually transgressed the color line even as it enabled the formation of a self-consciously white working class. Based on the appropriation of black dialect, music, and dance, minstrelsy at once applauded and lampooned black culture, ironically contributing to a "blackening of America." Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel

Eric Lott is at University of Virginia.

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